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"The stage is a volcano": Tomaž of Siddharta
Siddharta I went to Italy last summer to see the highly popular Slovenian band Siddharta performing at a small rock festival in a village called Praprot. The festival was arranged by young Slovenian people living in Italy near the Slovenian border. Slovenians are a national minority in that part of Italy.It was a pleasant experience to get there. There were Slovenian and Italian people of all ages. The village was crowded with cars from everywhere, motorcycles and of course Vespas. When we came into the audience, an old woman with a walking stick, surrounded with a lot of kids, said hello nicely to us. On the other side was a biker with long blond hair, in leather jacket and pants, drinking his beer slowly from a plastic glass. Late at night, after the old lady and little kids had gone off to bed, and after we'd had a few glasses of local red wine, the stars were in the crystal sky and the other stars took the stage at the edge of the little village surrounded by dark forest.
After the concert
I interviewed Tomaž O.R., Siddharta 's keyboard player and programmer.
He has a well-shaped small beard, no hair, no piercings on his face. He is charming
- a warm personality, and a sharp intellect with an esoteric accent. An athletic
type, he's into extreme bicycling. He doesn't like to classify anything...oops!
He is a real Sagittarius. The rest of Siddharta are Boštjan M.(drums, percussions), Cene R.(saxophone), Jani H. (bass), Primož B. (guitar) and Tomi M. (vocal, guitar). I saw Siddharta
for the first time at Novi Rock [New rock - the festival for new talents] as
a guest star and later I saw a whole bunch of your concerts - the double concert
with Apocalyptica, with symphonic orchestra RTV, summer open-air traditional
rock festival Roc Otočec, etc..Every concert was something special - a
special experience. Do you accommodate your show to the public you expect, or
the place you're in, or do you just adapt to the situation of the moment? Of course we don't
like our concerts to be a routine. So, we put some changes in the show frequently
- for example, in our repertoire or in setting up on the stage in a different
way. Bigger concerts allow more manipulation of all the equipment, but the preparation
for these big issues is normally longer - it takes more time. Even the view
of different stages where we were playing, and around where they were, leaves
a different impression. Actually, the only constant in our concerts is energy,
which is rolling from the stage to the crowd and back to the stage. Rock music is
very heterogeneous. The rainbow spreads from metal to pop/rock. How do you describe
your music? Rock in any case. But we don't like any classification. We are creating very energetic, powerful, melodic music, influenced by many other music styles. The shape is never the most important. The form is never guiding us, but the inspiration.
How
important are the lyrics for your music? The lyrics and
the music are integrated in our songs. If you read the lyrics separately, they
can be really strange - without rhythm or rhyme. They become alive only in the
music. But the lyric is a more concrete factor than the music - it draws a picture
of the song, the surrounding atmosphere. But still it has enormous interpretive
possibility. Do you think
it is necessary to understand the lyrics? Can voice take the function of an
instrument? This is happening
all the time in our music - from time to time - an ununderstandable vocal with
the voice as an instrument. The most important is music interpretation. The
lyrics are in the book with the CD, with the purpose to understand the lyrics
easily. This is the practice of most bands. On account of understanding were
killed many souls in Slovenian music - and poetry and literature. Siddharta has
the ability to write good lyrics. Did you write poetry or prose before you started
with music? Some of us do this
still. Nothing is published yet. I read somewhere
a comparison of Siddharta with Pearl Jam. Do you think there is any similarity
going on? The Seattle scene
influenced us. There is a possibility that our vocalist Tomi is the most similar
to Eddie and not to Chris [Soundgarden] or Kurt [Nirvana]. I think this comparison
comes from this. Also our CD, ID, has a similar energy as Ten
of Pearl Jam, but the musical difference between both albums is obvious. How does the
energy work in the concerts? The band energy works on the crowd, the crowd responds
and works back on the band - How do you prepare the audience to sing and dance
with you in a total party? I don't know -
it is metaphysical. Maybe the answer is that we don't pretend and we don't try
to be something that we aren't - we don't climb down from the stage, etc. We
are just what we are. This is something that the crowd feels and then they leave
to us. You are the
most popular group in Slovenia. You've sold a huge amount of CDs - the people
from all generations come to your concerts. From where does this success come
- from work, talent, destiny? All this together,
all this very much. When we were ready, at the right time the right opportunity
appeared. It happened with the reprint of our CD, ID. I think we fill
up the music vacuum which came after Slovenian independence. From this time
we are working as an institution. We were never resting on our laurels. On concert you
work very well together - it looks like you enjoy playing with each other. Of course, we are
a band, not workmen who are in the same unit because of business. The band first
means understanding each other, accepting each other, patience, tolerance...
in such company we can feel good and enjoy, not only the playing, but everything
that happens to us. Every Siddharta
concert, album, and photo contains a powerful inside tension and drama. It must
be very exhausting to follow this energy during the concert, especially for
your frontman Tomi. Is there some rational explanation for this, or on the stage
you simply "drop in"? The stage is like
a volcano from which erupt contrasts of different feelings and energies. A live
concert is like a circle of many levels of energies - from wild animal energy
to a state of calm - a smooth surface, with deep emotions and than again back
to the beginning of the circle - back to the wild energy. On the stage meet
the rational and irrational worlds. On one side you are totally focused on the
concert but at the same time you yield to the music and absolutely "drop
in". On the stage we become really alive. The stage is a need. Rock lyrics
were, at the beginning, about love and pleasures. Neil Young was one of the
first who started writing about stuff from life experience and protest songs
- songs of social criticism. Now there are a lot of hugely fascinating rock
lyrics. Some songs have become anthems for whole generations of people. Do you
think that a part of literary potential has moved from books to the spheres
of rock and rap? Definitely, but
here we are again at classification. Miles [Davis] said that there exists only
good music and music which is not music at all. I think that this is true for
all fields of art. I think that there exists only art and different manners
of how to express it, whatever it is - music, literature, painting... I know of stoner-rockers
called Stinking Lizaveta - they have the name after a character from Brothers
Karamazov by Dostoevsky. Who is the Hesse fan in your band? Nobody is particularly
a fan, but we have all read Siddharta, and some of us more than this. Are the members
of Siddharta working on other projects? Bass player Jani
is a long time in this job and he is a very well known musician. He is in the
band Elevators and Rotor. I was playing with the group Roze zla before Siddharta
and now I am in a group with the working title Drap. Saxophone player Cene is
a regular guest at jazz appearances. Has Siddharta
changed over the years? Of course. From four people the band became six. We changed our bass player. I can count some more changes.... Did you change? Every person does. What's important is not to change for the worse. For now we are on the good way. In September 2003,
Siddharta took the stage in a big stadium concert in Ljubljana with orchestra
and dancers, on three stages. There were around 30,000 people from all over
Slovenia, Croatia, Italy, Austria... It was the first time that a Slovenian
band had sold out a stadium concert. A lot of people waited outside the stadium.
The whole city was in the mood of the concert. I was standing somewhere on the left side of the spectacle, mostly under the stage where the orchestra was. Yes, the stage in the middle with Siddharta was like a volcano - people were singing the songs along with the band and orchestra. I didn't know what I was listening to - the musicians, or the out-of-tune singing of the crowd. They were singing about love in dreams. It was like the crowd was under the spell of some other world - a world of dreams and symbols and myths, where everything is possible.... And the music was floating over the crowd as their collective dreams.
Siddharta in stadium concert, Ljubljana, September 2003 (photo by Matjaž Sekne) official website: http://www.siddharta.net
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